Marginalia: on rereading Baldwin in autumn
Notes scrawled in the gutter of a secondhand paperback, and what they told me about who I was when I first read it.
A journal of slow mornings, strong coffee, and books read twice
I write about what a good cup and a good sentence have in common — patience, warmth, and the sense that nothing here needs to be rushed.
There's a particular kind of stillness that arrives somewhere between the kettle's first murmur and the second pour — long enough to think, short enough not to overthink. This is what I've learned from making the same cup, badly and then well, for six years running.
Read the entryNotes scrawled in the gutter of a secondhand paperback, and what they told me about who I was when I first read it.
An argument for the single-purpose ten minutes — no laptop, no podcast, just the cup and the window.
Field notes from a week spent chasing good light and better filter coffee across the east side of the city.
Some writing wants to be read quickly. Some wants a pencil in hand. A short list of the second kind.
A small case for choosing objects that earn their place on the shelf, and what that has to do with attention.
Grounds & Margins started as a set of notes I kept beside my coffee pot — half brewing log, half reading journal. It's grown into a small weekly habit: one entry about something I made, read, or noticed closely enough to write down.
Most weeks it's coffee and books. Some weeks it's just the weather and what I was thinking about. There's no schedule to keep and no algorithm to please — just the quiet hour before the day gets loud.
One email, roughly once a week, whenever there's something worth sending. No noise in between.